Tracey Emin, born on July 3, 1963, in Croydon, London, is a leading figure in contemporary British art known for her provocative and autobiographical works. She rose to prominence in the 1990s as part of the Young British Artists (YBAs) movement, alongside artists like Damien Hirst and Sarah Lucas.

Emin's art is deeply personal and often explores themes of identity, sexuality, and vulnerability. She is perhaps best known for her confessional and emotionally charged installations, sculptures, and neon works, which blur the boundaries between art and life.

One of Emin's most famous works is "My Bed" (1998), an installation that features her own unmade bed surrounded by personal items such as empty bottles, cigarette butts, and discarded underwear. The piece caused a sensation when it was shortlisted for the Turner Prize in 1999 and sparked debates about the nature of contemporary art.

Throughout her career, Emin has fearlessly confronted taboo subjects and challenged societal norms. Her candid and raw approach to art-making has earned her both acclaim and controversy, but she remains unapologetically true to herself and her vision.

In addition to her visual art practice, Emin is also a writer, filmmaker, and performance artist. She has published several books, including her memoir "Strangeland" (2005), and has exhibited her work in galleries and museums worldwide.

Emin's influence extends beyond the art world, and she is celebrated for her candidness, honesty, and willingness to confront difficult emotions. She has received numerous awards and honours for her contributions to contemporary art, including being appointed Commander of the Order of the British Empire (CBE) in 2013.

Tracey Emin continues to push the boundaries of art and challenge audiences with her fearless and deeply personal work. Her legacy as an artist is one of courage, vulnerability, and unapologetic self-expression.