Shoji Hamada (1894–1978) was a Japanese potter known for his significant contributions to the studio pottery movement and his revival of traditional Japanese folk pottery techniques. Born in Tokyo, Hamada studied ceramics at the Tokyo Industrial School before embarking on a journey to explore pottery traditions around Japan.

In 1918, Hamada traveled to Mashiko, a rural town famous for its pottery, where he met and studied under the renowned potter Keisuke Serizawa. Under Serizawa's guidance, Hamada honed his skills in wheel throwing and wood firing, mastering the techniques of creating functional and decorative pottery.

In the early 1920s, Hamada travelled to England, where he met the British studio potter Bernard Leach. The two artists formed a deep friendship and collaborated on various projects, including the establishment of the Leach Pottery in St Ives, Cornwall, in 1920. Together, they played a pivotal role in the revival of studio pottery in the West, blending Japanese and Western ceramic traditions.

Hamada's pottery was characterised by its simplicity, earthy glazes, and emphasis on functional forms. He drew inspiration from the rustic pottery traditions of Mashiko, incorporating elements of Japanese folk art into his work. His pottery reflected a deep respect for the natural qualities of clay and a reverence for the process of making.

Throughout his career, Hamada traveled extensively, promoting the craft of pottery and sharing his knowledge with potters around the world. He conducted workshops, demonstrations, and lectures, advocating for the importance of handmade craftsmanship and the preservation of traditional pottery techniques.

Hamada's influence extended far beyond the world of pottery, shaping the broader field of craft and design. His dedication to traditional craftsmanship and his commitment to cultural exchange left an indelible mark on the studio pottery movement, earning him international acclaim and recognition as one of the greatest potters of the 20th century.