Paul-Jean Flandrin was a French painter known for his contributions to the Neoclassical and Romantic movements of the 19th century. Born on April 29, 1811, in Lyon, France, Flandrin came from a family of artists, with his brother Jean-Hippolyte Flandrin also achieving renown as a painter.

Flandrin began his artistic training at the École des Beaux-Arts in Lyon before continuing his studies in Paris under the guidance of renowned artists such as Jean Auguste Dominique Ingres. He was deeply influenced by the Neoclassical style of Ingres, which emphasised precise draftsmanship and idealised forms.

Flandrin gained recognition for his meticulously executed historical and mythological paintings, often depicting scenes from ancient Greece and Rome. His works were characterised by their clarity of line, harmonious composition, and careful attention to detail.

One of Flandrin's most celebrated works is "The Body of Saint Agnes Carried to the Catacombs," which he exhibited at the Paris Salon in 1848. The painting showcases his skilful handling of light and shadow, as well as his ability to evoke a sense of emotional depth and spiritual resonance.

In addition to his historical and religious paintings, Flandrin also produced a number of portraits and genre scenes, demonstrating his versatility as an artist. He was admired for his ability to capture the inner essence of his subjects, whether they were mythological figures or ordinary people.

Throughout his career, Flandrin remained committed to the principles of Neoclassicism, favouring simplicity, clarity, and order in his compositions. His work exemplifies the ideals of the Romantic era, with its emphasis on individual expression and emotional intensity.

Flandrin enjoyed considerable success during his lifetime, receiving numerous commissions from both private patrons and public institutions. He was appointed a professor at the École des Beaux-Arts in Paris, where he passed on his knowledge and expertise to future generations of artists.

Paul-Jean Flandrin continued to paint and exhibit his work well into his later years, maintaining a reputation as one of the leading painters of his time. He died on March 14, 1902, leaving behind a legacy of exquisite paintings that continue to be admired for their beauty and craftsmanship.