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Michael Canney
British 1923-1999

Michael Canney (1923–1999) was a distinguished English studio potter known for his significant contributions to the world of ceramics. Born on August 18, 1923, in London, Canney's artistic journey led him to become a prominent figure in the British studio pottery movement.

Canney initially studied at the Camberwell School of Art before serving in the Royal Air Force during World War II. Following the war, he pursued his passion for pottery and studied under renowned potter Bernard Leach at the Leach Pottery in St Ives, Cornwall. This experience profoundly influenced Canney's artistic philosophy and practice.

As a studio potter, Michael Canney became known for his distinctive style, often combining traditional techniques with his own innovative approaches. He was recognised for creating functional yet aesthetically pleasing pieces, including bowls, vases, and platters. Canney's work was characterised by a commitment to craftsmanship, form, and a deep appreciation for the natural properties of clay.

In 1954, Canney established his own pottery studio in Somerset, where he continued to refine his techniques and produce high-quality ceramics. Over the years, his pieces gained acclaim for their simplicity, elegance, and the mastery with which he incorporated glazes to enhance the visual appeal of his creations.

Michael Canney's dedication to the craft extended beyond his role as a potter. He became a respected educator, teaching ceramics at various institutions, including the Farnham School of Art and the Central School of Art and Design.

Throughout his career, Canney's work was exhibited both nationally and internationally, contributing to the growing recognition of British studio pottery on the global stage. His pieces are held in prestigious collections, reflecting the lasting impact of his artistic legacy.

Michael Canney's death in 1999 marked the end of a remarkable career, but his influence on the world of studio pottery endures. His commitment to traditional craftsmanship, combined with a willingness to experiment, continues to inspire contemporary potters and enthusiasts alike.

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