John Skeaping, a distinguished British sculptor, was born on June 9, 1901, in South Woodford, Essex. His artistic journey unfolded against the backdrop of the 20th-century art scene, and he made notable contributions to the realm of figurative sculpture.

Educated at the Central School of Arts and Crafts in London and later at the Royal Academy Schools, Skeaping began his career with a focus on animal sculpture. His early works, characterised by a keen attention to anatomical detail and a naturalistic approach, showcased his proficiency in capturing the essence of the animal form.

In 1925, Skeaping married fellow sculptor Barbara Hepworth, marking the beginning of a collaborative and artistic partnership. The couple's shared interests in sculpture and a mutual fascination with the natural world influenced their early works. Skeaping and Hepworth's marriage, however, faced challenges and eventually ended in divorce in 1933.

During the 1930s and 1940s, Skeaping gained recognition for his equestrian sculptures, which demonstrated his skill in conveying the grace and power of horses. His notable commissions included the sculpture of the racehorse "Hyperion" in 1933.

In addition to his achievements as a sculptor, Skeaping was an accomplished equestrian and horseman. His first-hand experience with horses significantly informed his depictions of these animals in his sculptural works.

Skeaping's versatility as an artist extended beyond sculpture; he also worked in painting and printmaking. His artistic career flourished, with exhibitions in prominent galleries and institutions, including the Royal Academy.

Later in life, Skeaping remarried and settled in Australia, where he continued to create and exhibit his work. His legacy endures through his significant contributions to the tradition of figurative sculpture, particularly his mastery in capturing the essence of animals, notably horses.

John Skeaping passed away on March 5, 1980, leaving behind a body of work that reflects his artistic skill, versatility, and deep connection to the natural world. His contributions to British sculpture remain an integral part of the artistic landscape of the 20th century.