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FEATURED ARTIST
Graham Sutherland OM
British 1903–1980

Graham Sutherland (1903–1980) was a prominent British artist known for his distinctive contribution to modern British art. Born on August 24, 1903, in London, Sutherland's artistic journey encompassed various styles, from early works influenced by the landscape to later explorations into surrealism and abstraction.

Sutherland studied at Goldsmiths' School of Art and later at the Royal College of Art in London. His early career was marked by landscapes inspired by the English countryside. Sutherland's distinctive style began to emerge in the 1930s, characterized by a focus on organic forms and a fascination with the underlying structures of nature.

During World War II, Sutherland was commissioned as an official war artist, capturing the impact of the conflict on landscapes and individuals. His experiences during this period influenced his later works, introducing darker and more introspective themes.

In the post-war years, Sutherland gained international recognition for his contributions to modern art. He experimented with various media, including painting, drawing, and printmaking. His series on thorns, crucifixions, and landscapes revealed a profound engagement with the metaphysical and existential aspects of human experience.

Notably, Sutherland was commissioned to paint a portrait of Sir Winston Churchill in 1954. The resulting portrait became infamous for its unflattering depiction, leading to its controversial destruction by Churchill's wife, Clementine. Despite this incident, Sutherland continued to produce acclaimed works, receiving numerous awards and honours throughout his career.

Graham Sutherland's legacy endures as a pivotal figure in the development of modern British art. His ability to traverse different styles and delve into the emotional and spiritual dimensions of his subjects distinguishes him as a versatile and influential artist. Sutherland's works can be found in major collections, and retrospectives continue to celebrate his significant impact on the trajectory of 20th-century British art.

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Graham Sutherland - Devastation (1941)
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