George Richmond (1809–1896) stands as a prominent figure in the Victorian art scene, distinguished for his contributions to portraiture and association with the Pre-Raphaelite Brotherhood. Born on March 28, 1809, in Brompton, London, Richmond's artistic journey unfolded during a period of profound cultural and artistic transformations.

Richmond's early artistic talents led him to study at the Royal Academy Schools, where he honed his skills under the mentorship of Thomas Lawrence. His career as a portraitist flourished, and his sitters included notable figures such as Queen Victoria and the poet Alfred, Lord Tennyson.

A pivotal moment in Richmond's artistic trajectory occurred when he formed connections with the Pre-Raphaelite Brotherhood, a group of artists challenging the conventions of academic art. His association with key members, including Dante Gabriel Rossetti and John Ruskin, influenced the direction of his work and imbued it with elements of medievalism and symbolism.

Richmond's portraiture exhibited a nuanced understanding of character and a meticulous approach to capturing the intricacies of his subjects. His works often featured rich colour palettes and a detailed rendering of fabrics, showcasing his technical proficiency and attention to the subtleties of light and shade.

While Richmond remained committed to portraiture, his interests extended to religious and allegorical subjects. His paintings, such as "The Sisters of Bethany" (1849) and "Christ and the Woman of Samaria" (1852), reflected his exploration of themes related to spirituality and moral narratives.

Throughout his career, Richmond maintained close connections with the artistic and intellectual circles of his time. His involvement in philanthropy and his commitment to the welfare of fellow artists contributed to his standing as a respected figure within Victorian society.

George Richmond continued to paint well into his later years, leaving behind a legacy that epitomises the Victorian approach to portraiture and the influence of the Pre-Raphaelite ideals. He passed away on March 19, 1896, in London, having made enduring contributions to the art world and the cultural milieu of 19th-century Britain.